BattleTech fan since the early '90s, game design enthusiast since forever.

Sunday, March 29, 2020

Star Trek Episode Roller

I think I found this via Popfiend, years ago
In a perfect world, I could dissect all seven or eight hundred episodes to find the Star Trekkiest distribution of Starfleet missions, antagonists, motivations and NPC strategies. Such volume and detail is a sure recipe for burnout, though.

Each new Trek series self-selects what its writers thought was Trekkiest about the previous series, right? So maybe I can approximate the results of all that research by sampling episodes at random and taking different elements from each?


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There's a few other series I could mix in. Babylon 5, Farscape, Gene Roddenberry's Andromeda, Shakespeare... and heck, if even Doctor Who borrows from Battlestar Galactica...

But at some point we stray from the themes and structures essential to Star Trek. Like, your average episode of Firefly has a fistfight, a gunfight, a word fight, some kind of spaceship thing, and involves a moral or ethical dilemma. Not too different from Star Trek TOS. Except TOS also adds a good dose of scientific method to everything - whether the problem at hand is mechanical, social or philosophical, the crew feels it out systematically.

Thursday, March 5, 2020

The Orville Episode 12 - Fools Rush In

We still rely on the magic of editing; still start each episode a little stilted; and my delivery is still a little disjointed; but not as much as when we started.  On a good day - like I think we had for this recording - we cover everything we wanted to say without having to hold too closely to our prepared agenda. We could undoubtedly polish the product more with scripted repartee and rehearsed personalities; but for me, the point (when feasible) is to engage with the ideas as we're recording and choose my words as I go. When I can do that well then everything else follows naturally.

...before decrying Ready Player One, I should probably consider what (if anything) distinguishes it from "The Ultimate Showdown" and "We Come Together."

...and closing with "faithful listeners?" Yeesh. This is why we need a formal sign off.

I can't find that map of the east coast and I don't remember what it was measuring. Not simple poverty, teen birth rates, brain drain or gun violence - these aren't great for South Carolina, but they're more in line with regional trends than whatever I'm remembering.



Kelly Grayson (Adrianne Palicki) has so much empathy it's a crime, and the crew ignore a thousand years of sociological studies.

Available in podcast form at anchor.fm.